Affection (2023) 5’
for piano
commissioned by Brianna Matzke
Into the Light (2022) 5’
for trombone and pre-recorded electronics
commissioned by Brent Mead
Illumination (2022) 8’30’’
for percussion and pre-recorded electronics (vibraphone, kick drum, glockenspiel or aluminum metal pipes, sizzle cymbal or suspended cymbal, two woodblocks or granite blocks)
commissioned by consortium of percussionists led by Hunter Gross
Embodiment (2022) 5’
for harp
written for Chelsea Lane and made possible by a grant from the American Harp Society, Inc.
Figure and Form (2022) 9’
for vibraphone
commissioned by the Well-Behaved Women Seldom Make History Project, led by Emily Salgado
It has not taken long (2021) 6’
for cello and pre-recorded electronics
commissioned by Inbal Segev
Attack and Sustain (2021) 10’
for clarinet and pre-recorded electronics
commissioned by Lucy Abrams-Husso
Electricity (2020) 5′30’’
for electric guitar and distortion
written for Chad Kinsey and commissioned as part of NakedEye Ensemble’s Soloing2020 project
FP: August 27, 2020 as part of NakedEye Ensemble's Soloing2020 project (online)
Purity (2020) 6′
for prepared vibraphone (with foil) and cymbals (one player)
commissioned by Bang on a Can with support from Raulee Marcus, written for David Cossin
FP: May 3, 2020 via Bang on a Can Marathon (online)
Crash and Burn (2017) 7′
for drum set and pre-recorded electronics
commissioned by Evan Chapman
FP: July 11, 2018 by Evan Chapman at Indiana University in Bloomington, IN
High and Low (2017) 10′
for piano
commissioned by Robert Fleitz
FP: April 21, 2017 by Robert Fleitz at The Juilliard School in
New York, NY
Lo and Behold (2016) 7’30”
for bass drum
commissioned by West Chester University for Ralph Sorrentino
ABC (2016) 6′
for viola and pre-recorded electronics
commissioned by Texas Tech University for Kimberly Sparr
FP: March 1, 2018 by Kimberly Sparr at the Mississippi University for Women in Columbus, MS
Replay (2016) 8′
for mandolin + delay pedal
commissioned by Avi Avital, made possible with funding from New Music USA
FP: August 1, 2017 by Avi Avital at the Schelswig-Holstein Musik Festival in Siesby, Germany
Head to Toe (2015) 4’30”
for percussion (glockenspiel, ankle bells, desk bells)
commissioned by Mike Truesdell
FP: November 18, 2016 by Mike Truesdell at University of Northern Colorado in Greenley, CO
Rave (2015) 11’30”
for piano and pre-recorded electronics
commissioned by Vicky Chow, made possible by a grant from the American Composers Forum with funds provided by the Jerome Foundation
FP: July 16, 2015 by Vicky Chow as part of the Bang on a Can Summer Festival at MASS MoCA in North Adams, MA
Shapeshifter (2015) 6’30”
for violin and live + pre-recorded electronics (live electronic processing optional)
commissioned by Monica Germino and Frank van der Weij
FP: April 10, 2015 by Monica Germino and Frank van der Weij at the Korzo Theater in The Hague, The Netherlands
In Between the Cracks (2013) 5’30”
for marimba
commissioned by Joshua Spaulding
Lean Back and Release (2013) 7′
for violin and electronics
commissioned by Adrianna Mateo
FP: January 24, 2014 by Adrianna Mateo at The Juilliard School in New York, NY
Dew of the Moon (2012) 5’30”
for alto saxophone
commissioned by Don-Paul Kahl
FP: January 4, 2013 by Don-Paul Kahl at the Navy Band International Saxophone Symposium in Washington, DC
Sit and Dance (2012) 6’40”
for baroque cello and pre-recorded electronics (can also be performed on modern cello)
commissioned by Paul Dwyer
FP: December 19, 2012 by Paul Dwyer at The Juilliard School in
New York, NY
Blue Swell (2012) 7′
for violin and organ (organ part can also be performed as pre-recorded track)
commissioned by Mariam Machaidze
FP: June 7, 2012 by Mariam Machaidze in Tbilisi, Georgia