Unity (2023) 9’30’’
for clarinet in Eb, clarinet in Bb, alto saxophone (2 players), and optional sound descriptions
written for Duo Entre-Nous (Jackie Glazier, clarinets; Don-Paul Kahl, saxophones), with accompanying sound descriptions by Andy Slater
FP: February 17, 2024 by the Duo Entre-Nous at University of Arizona
Above and Beyond (2023) 4’
for tenor saxophone, electric guitar, percussion, piano, and optional sound descriptions
written for HYPERCUBE ensemble, with accompanying sound descriptions by Andy Slater
FP: February 2, 2024 by the HYBERCUBE at University of Virginia
Imperfection (2022) 12’
for string quartet
commissioned by Music Academy of the West
FP: July 20, 2022 by the Crimson Quartet at Music Academy of the West
Loud and Soft [quartet/fixed-instrumentation version] (2021) 10’
for percussion quartet
1) Percussion 1: Caxixi, Bongos (High Hit), Triangle
2) Percussion 2: Caxixi, Handclaps, Glockenspiel
3) Percussion 3: Caxixi, Bongo (Medium Hit), Triangle, Cymbals, Vibraphone
4) Percussion 4: Caxixi, Handclaps, Conga (Low Hit), Small Tambourine, Cymbals, Low Metal Pipes, Vibraphone (pipes pitches: D4, F4, G4, A4, D5, E5, F5, G5)
commissioned by commissioned by Sandbox Percussion and New Music USA's Creator Development Fund
written for inclusion of sound descriptions by Stefan Sunandan Honisch and Andy Slater
Anatomy is Destiny (2022) 7’
for violin and piano
commissioned by Adrian Anantawan and Live Arts Boston
FP: April 27, 2022 by Adrian Anantawan and Leigh McAllister at Rockport Music
Hit or Miss (2021) 4’
for percussion ensemble (nine players)
commissioned by Juilliard Summer Percussion Seminar (Samuel Solomon, Artistic Director)
FP: July 24, 2021 by Juilliard Summer Percussion Seminar musicians
One and Only (2020) 8’
for electric guitar and percussion (one player - vibraphone)
commissioned by Party of One (Liz Faure, guitar and Jess Tsang, percussion)
FP: July 10, 2022 by Party of One at Archestratus
Loud and Soft [open instrumentation version] (2020) 3’
for percussion ensemble (4 parts, flexible number of players + open instrumentation)
commissioned by Sandbox Percussion Summer Seminar at NYU
FP: August 7, 2020 by Sandbox Percussion Summer Seminar musicians
Release (2020) 4’45”
for cello quartet and percussion (two players)
commissioned by the Vermont Symphony Orchestra
FP: December 19, 2020 by Vermont Symphony Orchestra musicians
United and Divided (2020) 6'
for clarinet, piano, violin, cello
commissioned by Unheard-of//Ensemble
FP: July 1, 2021 via Metropolis Ensemble’s House Music Series
Fluidity (2020) 3’
for string quartet and percussion (one player)
commissioned by [sunflower]
Hit and Run (2019) 7’
for bass clarinet, percussion (one player), piano, and electric guitar
commissioned by Conduit, with support from Knight Foundation and The University of Miami’s Frost School of Music
FP: February 26, 2020 at Miami Light Box in Miami, FL
Uniformity (2019) 5’30”
for percussion duo
(instrumentation: 1 glockenspiel (can be played with desk bells), 2 triangles or other ringing metals, 2 bells (similar to ankle or Indian ghungroo bells), 2 shakers, 2 tambourines)
commissioned by consortium led by the New Works Project
On and Off (2019) 10′
for two pianists and chamber ensemble — flute, clarinet in Bb, tenor saxophone/baritone saxophone, percussion (one player), piano 1 (also plays toy piano), piano 2 (also plays inside piano), electric guitar, electric bass, violoncello
commissioned by NakedEye Ensemble
FP: June 19, 2019 by Ju-Ping Song, Kathleen Supové, and NakedEye Ensemble at Zoetropolis in Lancaster, PA
Light and Dark (2018) 7’30”
for flute, percussion (one player), and pre-recorded electronics
commissioned by The Midnight Sun Two (Kathryn and Christopher Eagles)
FP: August 2, 2019 by The Midnight Sun Two at National Flute Convention in Salt Lake City, UT
Less is More (2017) 7′
for percussion (one player – kick drum, glockenspiel, cymbals), piano, and optional lighting
commissioned by Justus and Elizabeth Schlichting for the Eighth Blackbird Creative Lab
FP: June 23, 2017 by Passepartout Duo at Besant Hill School in Ojai, CA
Queen (2017) 7’30”
for percussion duo (percussion 1: glockenspiel, desk bells, kick drum; percussion 2: vibraphone)
commissioned by consortium led by Balanced Structure (Kathryn Irwin & Emily Strachan)
FP: November 16, 2017 by Caitlin Cawley and Tamika Gorski at Manhattan School of Music in New York, NY
Down and Out (2016) 5’30”
for violin and piano
commissioned as part of On Behalf by Brianna Matzke and Hajnal Pivnick
FP: February 19, 2017 by Brianna Matzke and Hajnal Pivnick at The Cell in New York, NY
Compare and Contrast (2016) 8’30”
for flutes (piccolo, flute, alto flute – one player) and cello
commissioned by Pieces of Eight: Martha Cargo and Ben Larsen
FP: November 6, 2016 by Martha Cargo and Ben Larsen at Orthodox Cathedral of the Holy Virgin Protection in New York, NY
Bite the Dust (2016) 6′
for flute, clarinet in Bb, tenor saxophone, percussion (glockenspiel + kick drum), piano, violin, cello, and pre-recorded electronics
commissioned by the Grand Valley State University New Music Ensemble for their National Parks Project
FP: July 1, 2016 by the Grand Valley State University New Music Ensemble at Badlands National Park in Interior, SD
Lost and Found (2016) 6′
commissioned by Echo Chamber
FP: May 20, 2016 by Echo Chamber at the DiMenna Center in New York, NY
three arrangements:
for clarinet in Bb, vibraphone, piano, violin, cello, bass (arranged for Echo Chamber)
for soprano/alto saxophone, vibraphone, electric guitar, piano, violin (arranged for Kluster5)
for flute, clarinet in Bb, vibraphone, piano, violin, cello (arranged for Brightwork newmusic)
Black and White (2015) 5′
commissioned by the Resonant Grounds Initiative in Debrecen, Hungary
FP: June 2, 2015 by Robert Fleitz and David Nagy in Copenhagen, Denmark
two arrangements:
for bassoon and piano
for flute/piccolo and piano
Chic (2014) 3’30”
for percussion trio (snare drum/triangle/kick drum, cabasa, glockenspiel)
FP: July 31, 2014 by Robby Bowen, Caitlin Cawley, and Neil Rao at Small World Coffee, Princeton, NJ